Iowa duo Har di Har hits LFK on Friday, February 15 for a quadruple bill at the Jackpot alongside
Something and the Whatevers (we showcased them recently: read it
here),
Electric Needle Room, and
Tiger Waves.
Will Har di Har make you laugh? Perhaps. Will they make you dance? Yes (at least half of the time). Will they impress you with their technical prowess? You bet. Check them out on FB
here and take a listen to their
Feudal Kind EP via
Bandcamp.
We caught up with Har di Har's Andrew to chat about "experimental folk" and whether or not Chip can dance continuously through an entire Har di Har set to score sweet prizes!
Chip: When a lot of people hear the phrase
“experimental folk” they get a little nervous, because it might sound
like a bunch of different-sized frogs getting hit over the head with
mallets or something. You just never know what you're getting into.
Describe your sound to our readers and convince them that there’s
nothing to be frightened about.
Andrew: Your readers don't need to worry about frog brutality in our
case. We use soft mallets when dealing with frogs. "Experimental folk"
is a bit dated as the best description of our music as we've been
writing and touring a lot for the past five months so our sound is
evolving. Yes, some of our songs are reminiscent of Fleet Foxes/The Antlers/Bon Iver/early Dirty Projectors, but our new music is reaching
into new realms. A better way to describe our music would be progressive psychedelic-pop/folk with echoes of four-on-the flour minimal B-movie synth-scoreing chamber-rock... what's there to frightened of?
Richard: I like the description on your FB page that the music
sometimes sounds “as though Miles Davis were performing Gregorian
chant.” Can you offer us another comparison that fills in the blanks
with another odd combination?
Andrew: If Janis Joplin had been parented by Frank Zappa and Joni
Mitchel, befriended Dick Van Dyke in Mary Poppins, and received
consultation from Chris Taylor of Grizzly Bear while recording music,
the result would be similar to Har-di-Har...
Chip: I hear you have a passion for dance music. Will I be able to shake my ass at this show?
Andrew: You will be able to shake your ass half the time. Or you
could shake half your ass all the time. All of our songs have sections
where you will want to dance your face off. However, it is a goal of
ours to make the crowd work for it. With winding instrumental break
downs, meter changes, and grand pauses, we reward anyone who can
successfully dance continuously through our set either with presents or
beer.
Chip: I'll take that challenge!
Richard:
I like the haunting refrain in "Campaign" : “What a mess we’ve made...
in the garden…what a mess we’ve made.” Tell us what that song is all
about? It doesn’t sound like a very Har-di-Har kind of message!
Andrew: People often say "Hardy har har" when a bad joke has been
told or when a good joke is poorly delivered. We feel like the US
political system and electoral process can be compared to one such
joke. That is what "Campaign is about". Har-di-Har is a reaction to how
cultural and societal norms become adopted/adapted over time. To some
this is process is comical; to others it is a serious matter. We chose
to lie somewhere between the two. If you think about it, the underlying
reasons why things are funny are frequently serious in nature.
[Chip reflects for awhile on his boner jokes].
Chip: What’s it like being a married couple on the road
together all the time? Do you play a lot of shows in which you’re
secretly or not-so-secretly PISSED OFF at each other?
Andrew: There are pluses and minuses to arguing in a car. + We
can't walk away from an argument. - We can't walk away from an argument. +
Julie can't throw high heels at my face when she is pissed off. - She
can neglect to feed me while I'm driving...which makes me hungry and
also makes me not want to argue.
But, seriously, we are very rarely pissed at each other. We really
don't fight that often. There isn't much to fight about besides who gets
to eat the last of the trail mix or some stupid shit like that. How
can you fight with your spouse when all she wants to do is write music,
play shows, travel the states, drink good beer, eat good food, and meet
stellar people? I can't complain and neither can she.
Honestly, the best part of being married on the road is going home with a lady every night. Duh.
Richard: Leave us with a blurb that convinces our readers that they
absolutely MUST attend the Jackpot show on the 15th, right after
Valentine’s Day.
Andrew: Look, to be honest Richard, what we do in a live setting
is fun to watch and difficult to pull off, whether it's the day after a
made-up holiday or not. If your readers don't like our songs or music
(which they will), they should at least come out to see two people play
four instruments while singing at the same time.
Julie is the lead singer, but she sings
while playing keyboard and drums simultaneously, and I play bass or
guitar while drumming with my feet and singing back-up vocals. Your
readers are probably asking, "Can they actually pull this shit
off???!!" Honestly, the only way to find that out is to make it out to
the show. I really don't know that much about Electric Needle Room,
Tiger Waves, or
Something and the Whatevers, but what I've heard online I
dig, so the bill alone should be an added incentive for your readers to
come out to this show. We've heard really good things about the scene
in Lawrence, so we have high hopes for this show and for music lovers in
Lawrence. Don't let us down and we won't let you down!!
Show flyer:
Feudal Kind EP cover: